Come slowly, Eden!
Lips unused to thee;
Bashful, sip thy jasmines,
As the fainting bee,
Reaching late his flower,
Round her chamber hums,
Counts his nectars — enters,
And is lost in balms!
First print Love poem XVIII, 18
Johnson 211 | Franklin 205
First print stanza break at the fainting bee removed; semicolon to delineate on the poetic person and the object of thought.
Poems, first print by Higginson and Todd, page 65;
Google Drive, manuscript fascicles;
Poems one-by-one print and fascicle comparison,
Resource for Emily Dickinson’s poetry.
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If her skill was taken for supernatural, the world may never have seen her original handwriting. Feel welcome to Poems by Emily Dickinson prepared for print by Teresa Pelka: thematic stanzas, notes on the Greek and Latin inspiration, the correlative with Webster 1828, and the Aristotelian motif, Things perpetual — these are not in time, but in eternity.
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The enclosed piece-by-piece analysis works a criterion to embrace the epsilon, predicate structure, vowel contour, phonemics, person reference in abstract thought, and altogether stylistic coherence. The result supports doubt on fascicle originality. There always is the simple question as well: do we believe Emily Dickinson tried to tell about very exceptional Bees, Ears, or Birds, so peculiar that you write them with capital letters?
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