The daisy follows soft the sun,
And when his golden walk is done,
Sits shyly at his feet.
He, waking, finds the flower near.
“Wherefore, marauder, art thou here?”
“Because, sir, love is sweet!”
We are the flower, Thou the sun!
Forgive us, if as days decline,
We nearer steal to Thee —
Enamoured of the parting west,
The peace, the flight, the amethyst,
First print Time and Eternity poem XXXIV, 34
Johnson 106 | Franklin 161
Text compared with the fascicle and published as in the first print by Mabel Loomis Todd and Thomas Wentworth Higginson; does not require alteration, public domain worldwide, no rights reserved.
Poems, first print by Higginson and Todd, page 146;
Google Drive, manuscript fascicles;
Poems one-by-one print and fascicle comparison,
Resource for Emily Dickinson’s poetry.
* * * * *
If her skill was taken for supernatural, the world may never have seen her original handwriting. Feel welcome to Poems by Emily Dickinson prepared for print by Teresa Pelka: thematic stanzas, notes on the Greek and Latin inspiration, the correlative with Webster 1828, and the Aristotelian motif, Things perpetual — these are not in time, but in eternity.
Electronic format $2.99
E-book | NOOK Book | Kindle
Soft cover, 260 pages, $16.89
Amazon | Barnes & Noble
Hard cover, 260 pages, $21.91
Barnes & Noble | Lulu, full preview
The enclosed piece-by-piece analysis works a criterion to embrace the epsilon, predicate structure, vowel contour, phonemics, person reference in abstract thought, and altogether stylistic coherence. The result supports doubt on fascicle originality. There always is the simple question as well: do we believe Emily Dickinson tried to tell about very exceptional Bees, Ears, or Birds, so peculiar that you write them with capital letters?
* * * * *