The Wind

OF all the sounds despatched abroad,
There’s not a charge to me
Like that old measure in the boughs,
That phraseless melody
The wind does, working like a hand
Whose fingers brush the sky,
Then quiver down, with tufts of tune
Permitted gods and me.

When winds go round and round in bands,
And thrum upon the door,
And birds take places overhead,
To bear them orchestra;

I crave him grace, of summer boughs,
If such an outcast be,
He never heard that fleshless chant
Rise solemn in the tree,
As if some caravan of sound
On deserts, in the sky,
Had broken rank,
Then knit — and passed
In seamless company.

First print Nature XXIV, 24
Johnson 321 | Franklin 334

■→IN POLISH

Text compared with the fascicle and prepared for publication by Teresa Pelka, available under any of the following licenses:
■Creative Commons License 4.0, BY-SA 3.0, and License 2.5.

■→Poems, first print by Higginson and Todd, page 96;
Thematic arrangement for the poetic self together with object of thought; semicolon (them orchestra;) for thematic delineation.

■→Notes for Emily Dickinson’s poetry;
Poems one-by-one print and fascicle comparison,
■→Resource for Emily Dickinson’s poetry;
■→Google Drive, manuscript fascicles.


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The world may never have seen her original handwriting, if her skill was taken for supernatural. Feel welcome to Poems by Emily Dickinson prepared for print by Teresa Pelka: thematic stanzas, notes on the Greek and Latin inspiration, the correlative with Webster 1828, and the Aristotelian motif, Things perpetual — these are not in time, but in eternity.
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Świat może i nigdy nie widział jej oryginalnego pisma, jeśli jej umiejętność została wzięta za nadnaturalną. Zapraszam do Wierszy Emilii Dickinson w przekładzie Teresy Pelka: zwrotka tematyczna, notki o inspiracji greką i łaciną, korelacie z Websterem 1828 oraz wątku arystotelesowskim, Rzecz perpetualna — ta nie zasadza się na czasie, ale na wieczności.
Wolny dostęp,
PDF w Internet Archive;
E-pub 2.99 USD;
Okładka twarda
268 stron, 21.91 USD
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