Presentiment

PRESENTIMENT is that long shadow on the lawn
Indicative that suns go down;
The notice to the startled grass
That darkness is about to pass.

First print Nature XVI, 16
Johnson 764 | Franklin 487

■→IN POLISH

Text compared with the fascicle and published as in the first print by Mabel Loomis Todd and Thomas Wentworth Higginson; does not require adjustment, public domain worldwide, no rights reserved.

■→Poems, first print by Higginson and Todd, page 88;

■→Notes for Emily Dickinson’s poetry;
Poems one-by-one print and fascicle comparison,
■→Resource for Emily Dickinson’s poetry;
■→Google Drive, manuscript fascicles.

The plural suns suggests the Proto-Indo-European theory by William Jones, propagated in the poet’s times; please compare ■→NO MAN, WOMAN, CHILD, OR HOUSE, WITH THE PIE, and the Notes, link below.

Notes for Emily Dickinson’s poetry

Fascicles and print, the poetic correlative with Webster 1828, Latin and Greek inspiration, an Aristotelian motif, Things perpetual — these are not in time, but in eternity. ■More

Poems
Life | Love | Nature | Time and Eternity


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The world may never have seen her original handwriting, if her skill was taken for supernatural. Feel welcome to Poems by Emily Dickinson prepared for print by Teresa Pelka: thematic stanzas, notes on the Greek and Latin inspiration, the correlative with Webster 1828, and the Aristotelian motif, Things perpetual — these are not in time, but in eternity.
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Świat może i nigdy nie widział jej oryginalnego pisma, jeśli jej umiejętność została wzięta za nadnaturalną. Zapraszam do Wierszy Emilii Dickinson w przekładzie Teresy Pelka: zwrotka tematyczna, notki o inspiracji greką i łaciną, korelacie z Websterem 1828 oraz wątku arystotelesowskim, Rzecz perpetualna — ta nie zasadza się na czasie, ale na wieczności.
Wolny dostęp,
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