About Many Things

POL

How many times these low feet staggered,
Only the soldered mouth can tell;
Try! can you stir the awful rivet?
Try! can you lift the hasps of steel?

Stroke the cool forehead, hot so often,
Lift, if you can, the listless hair;
Handle the adamantine fingers —
Never a thimble more shall wear.

Buzz the dull flies on the chamber window;
Brave shines the sun through the freckled pane;
Fearless, the cobweb swings from the ceiling —
Indolent housewife, in daisies lain!

First print Time and Eternity XI, 11
Johnson 187 | Franklin 238

Text compared with the fascicle and prepared for publication by Teresa Pelka, available under any of the following licenses: Creative Commons License 4.0, BY-SA 3.0, and License 2.5.

Comma to delineate on syntagmatic structuring, Brave shines the sun / Fearless, the cobweb swings.
Poems, first print by Higginson and Todd, page;
Google Drive, manuscript fascicles;
Poems one-by-one print and fascicle comparison,
Resource for Emily Dickinson’s poetry.

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If her skill was taken for supernatural, the world may never have seen her original handwriting. Feel welcome to Poems by Emily Dickinson prepared for print by Teresa Pelka: thematic stanzas, notes on the Greek and Latin inspiration, the correlative with Webster 1828, and the Aristotelian motif, Things perpetual — these are not in time, but in eternity.
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The enclosed piece-by-piece analysis works a criterion to embrace the epsilon, predicate structure, vowel contour, phonemics, person reference in abstract thought, and altogether stylistic coherence. The result supports doubt on fascicle originality. There always is the simple question as well: do we believe Emily Dickinson tried to tell about very exceptional Bees, Ears, or Birds, so peculiar that you write them with capital letters?
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