Not in this world to see his face
Sounds long, until I read the place
Where this is said to be;
But just the primer to a life
Unopened, rare, upon the shelf,
Clasped yet to him and me.
And yet, my primer suits me so,
I would not choose a book to know
Than that, be sweeter wise;
Might some one else so learned be,
And leave me just my A B C,
Himself could have the skies.
First print Time and Eternity XXI, 21
Johnson 418 | Franklin 435
Semicolon for thematic delineation, Where this is said to be; But just the primer to a life…
Poems, first print by Higginson and Todd, page 132;
Google Drive, manuscript fascicles;
Poems one-by-one print and fascicle comparison,
Resource for Emily Dickinson’s poetry.
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If her skill was taken for supernatural, the world may never have seen her original handwriting. Feel welcome to Poems by Emily Dickinson prepared for print by Teresa Pelka: thematic stanzas, notes on the Greek and Latin inspiration, the correlative with Webster 1828, and the Aristotelian motif, Things perpetual — these are not in time, but in eternity.
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The enclosed piece-by-piece analysis works a criterion to embrace the epsilon, predicate structure, vowel contour, phonemics, person reference in abstract thought, and altogether stylistic coherence. The result supports doubt on fascicle originality. There always is the simple question as well: do we believe Emily Dickinson tried to tell about very exceptional Bees, Ears, or Birds, so peculiar that you write them with capital letters?
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