But the psalms thirty-sixth, and the hundred tenth, and the hundred eleventh, and the hundred eighteenth psalm, and the hundred forty-fourth, though they were written in diverse meter, nonetheless they were suited with an alphabet in the same style.
1 Kings prologue
Volume 2, page 2
But and the Salmys sixe and threttis, and the hundrid tenthe, and the huridryd enleueth, and the hundrid eiʒtenth, and the hundrid foure and fourtithe, albeit that thei ben wryten with dyuerse metre, neuerthelater thei ben weuyd with the abece of the same noumbre.
But also the salmes of the Sauter, as the xxxvj. salm, and the hundrid and x. salm, and the hundrid and aleuene salm, and the hundrid and xviij. salm, and the hundrid and xliiij. salm, al be it that thei ben writen with dyuerse metre, netheles thei ben writen and wouen to gideris with the abece of the same noumbre.
Wycliffe forms and reference: plural, abeces, abicees; 1 Kings prologue, Esther prologue.
Modern form: ABC, alphabet.
Modern uses: an abecedarian; also rudiments, elements.
Middle English alphabete; Latin abecedarium, the alphabet; abecedaius, one who learns; abecedaria, elementary instruction.
If her skill was taken for supernatural, the world may never have seen her original handwriting. Feel welcome to Poems by Emily Dickinson prepared for print by Teresa Pelka: thematic stanzas, notes on the Greek and Latin inspiration, the correlative with Webster 1828, and the Aristotelian motif, “Things perpetual — these are not in time, but in eternity”.
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The enclosed piece-by-piece analysis works a criterion to embrace the epsilon, predicate structure, vowel contour, phonemics, person reference in abstract thought, and altogether stylistic coherence. The result supports doubt on fascicle originality. There always is the simple question as well: do we believe Emily Dickinson tried to tell about very exceptional Bees, Ears, or Birds, so peculiar that you write them with capital letters?