Indian Summer

THESE are the days when birds come back,
A very few, a bird or two,
To take a backward look.

These are the days when skies put on
The old, old sophistries of June —
A blue and gold mistake.

Oh, fraud that cannot cheat the bee,
Almost thy plausibility
Induces my belief;

Till ranks of seeds their witness bear,
And softly through the altered air
Hurries a timid leaf!

Oh, sacrament of summer days,
Oh, last communion in the haze,
Permit a child to join;

Thy sacred emblems to partake,
Thy consecrated bread to break,
Taste thine immortal wine!

First print Nature XXVII, 27
Johnson 130 | Franklin 122

■→IN POLISH

Text compared with the fascicle and prepared for publication by Teresa Pelka, available under any of the following licenses:
■Creative Commons License 4.0, BY-SA 3.0, and License 2.5.

■→Poems, first print by Higginson and Todd, page 100;
Dash alone for thematic development, cf. ■→Notes for The Outlet;
semicolon for stanza end.

■→Notes for Emily Dickinson’s poetry;
Poems one-by-one print and fascicle comparison,
■→Resource for Emily Dickinson’s poetry;
■→Google Drive, manuscript fascicles.


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The world may never have seen her original handwriting, if her skill was taken for supernatural. Feel welcome to Poems by Emily Dickinson prepared for print by Teresa Pelka: thematic stanzas, notes on the Greek and Latin inspiration, the correlative with Webster 1828, and the Aristotelian motif, Things perpetual — these are not in time, but in eternity.
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Świat może i nigdy nie widział jej oryginalnego pisma, jeśli jej umiejętność została wzięta za nadnaturalną. Zapraszam do Wierszy Emilii Dickinson w przekładzie Teresy Pelka: zwrotka tematyczna, notki o inspiracji greką i łaciną, korelacie z Websterem 1828 oraz wątku arystotelesowskim, Rzecz perpetualna — ta nie zasadza się na czasie, ale na wieczności.
Wolny dostęp,
■→PDF w Internet Archive;
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Okładka twarda
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