Delayed, till she had ceased to know,
Delayed, till in its vest of snow
Her loving bosom lay;
An hour behind the fleeting breath,
Later by just an hour than death —
Oh, lagging yesterday!
Could she have guessed that it would be;
Could but a crier of the glee
Have climbed the distant hill;
Had not the bliss so slow a pace, —
Who knows, but this surrendered face
Were undefeated still?
Oh, if there may departing be
Any forgot by Victory
In her imperial round,
Show them this meek apparelled thing,
That could not stop to be a king;
Doubtful, if it be crowned!
Time and Eternity II, 2
Johnson 58 | Franklin 67
Victory capitalized as in fascicle copies F67A and P90-77 (F67B or J58). Stanzas 1 and 3 semicolon for thematic delineation and continued train of thought; stanza 1 dash to expand or emphasize on thought; stanza 2 comma and dash for premise and consequent, please search the Notes for the Outlet.
Poems, first print by Higginson and Todd, page 110;
Google Drive, manuscript fascicles;
Poems one-by-one print and fascicle comparison,
Resource for Emily Dickinson’s poetry.
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If her skill was taken for supernatural, the world may never have seen her original handwriting. Feel welcome to Poems by Emily Dickinson prepared for print by Teresa Pelka: thematic stanzas, notes on the Greek and Latin inspiration, the correlative with Webster 1828, and the Aristotelian motif, Things perpetual — these are not in time, but in eternity.
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The enclosed piece-by-piece analysis works a criterion to embrace the epsilon, predicate structure, vowel contour, phonemics, person reference in abstract thought, and altogether stylistic coherence. The result supports doubt on fascicle originality. There always is the simple question as well: do we believe Emily Dickinson tried to tell about very exceptional Bees, Ears, or Birds, so peculiar that you write them with capital letters?
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