I think the hemlock likes to stand
Upon a marge of snow;
It suits his own austerity,
And satisfies an awe
That men must slake in wilderness,
Or in the desert cloy —
An instinct for the hoar, the bald,
The hemlock’s nature thrives on cold;
The gnash of northern winds
Is sweetest nutriment to him,
His best Norwegian wines.
To satin races he is nought;
But children on the Don
Beneath his tabernacles play,
And Dnieper wrestlers run.
First print Nature XXX, 30
Johnson 525 | Franklin 400
Thematic arrangement for the poetic self and object of thought together; dash alone for thematic development, dash and comma for premise and consequent, cf. Notes, for The Outlet.
Poems, first print by Higginson and Todd, page 104;
Google Drive, manuscript fascicles;
Poems one-by-one print and fascicle comparison,
Resource for Emily Dickinson’s poetry.
* * * * *
If her skill was taken for supernatural, the world may never have seen her original handwriting. Feel welcome to Poems by Emily Dickinson prepared for print by Teresa Pelka: thematic stanzas, notes on the Greek and Latin inspiration, the correlative with Webster 1828, and the Aristotelian motif, Things perpetual — these are not in time, but in eternity.
Electronic format $2.99
E-book | NOOK Book | Kindle
Soft cover, 260 pages, $16.89
Amazon | Barnes & Noble
Hard cover, 260 pages, $21.91
Barnes & Noble | Lulu, full preview
The enclosed piece-by-piece analysis works a criterion to embrace the epsilon, predicate structure, vowel contour, phonemics, person reference in abstract thought, and altogether stylistic coherence. The result supports doubt on fascicle originality. There always is the simple question as well: do we believe Emily Dickinson tried to tell about very exceptional Bees, Ears, or Birds, so peculiar that you write them with capital letters?
* * * * *