AS children bid the guest good-night,
And then reluctant turn,
My flowers raise their pretty lips,
Then put their nightgowns on.
As children caper when they wake,
Merry that it is morn,
My flowers from a hundred cribs
Will peep, and prance again.
First print Nature XVII, 17
Johnson 133 | Franklin 127
Text compared with the fascicle and published as in the first print by Mabel Loomis Todd and Thomas Wentworth Higginson; does not require adjustment, public domain worldwide, no rights reserved.
■→Poems, first print by Higginson and Todd, page 89;
■→Notes for Emily Dickinson’s poetry;
Poems one-by-one print and fascicle comparison,
■→Resource for Emily Dickinson’s poetry;
■→Google Drive, manuscript fascicles.
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The world may never have seen her original handwriting, if her skill was taken for supernatural. Feel welcome to Poems by Emily Dickinson prepared for print by Teresa Pelka: thematic stanzas, notes on the Greek and Latin inspiration, the correlative with Webster 1828, and the Aristotelian motif, Things perpetual — these are not in time, but in eternity.
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Świat może i nigdy nie widział jej oryginalnego pisma, jeśli jej umiejętność została wzięta za nadnaturalną. Zapraszam do Wierszy Emilii Dickinson w przekładzie Teresy Pelka: zwrotka tematyczna, notki o inspiracji greką i łaciną, korelacie z Websterem 1828 oraz wątku arystotelesowskim, Rzecz perpetualna — ta nie zasadza się na czasie, ale na wieczności.
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■268 stron, 21.91 USD.
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