Why?

POL

The murmur of a bee
A witchcraft yieldeth me.
If any ask me why,
’T were easier to die
Than tell.

The red upon the hill
Taketh away my will;
If anybody sneer,
Take care, for God is here,
That’s all.

The breaking of the day
Addeth to my degree;
If any ask me how,
Artist, who drew me so,
Must tell!

First print Nature poem III, 3
Johnson poem 155 | Franklin poem 217

Text compared with the fascicle and published as in the first print by Mabel Loomis Todd and Thomas Wentworth Higginson; does not require alteration, public domain worldwide, no rights reserved.
Poems, first print by Higginson and Todd, page 71;
Google Drive, manuscript fascicles;
Poems one-by-one print and fascicle comparison,
Resource for Emily Dickinson’s poetry.

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If her skill was taken for supernatural, the world may never have seen her original handwriting. Feel welcome to Poems by Emily Dickinson prepared for print by Teresa Pelka: thematic stanzas, notes on the Greek and Latin inspiration, the correlative with Webster 1828, and the Aristotelian motif, Things perpetual — these are not in time, but in eternity.
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The enclosed piece-by-piece analysis works a criterion to embrace the epsilon, predicate structure, vowel contour, phonemics, person reference in abstract thought, and altogether stylistic coherence. The result supports doubt on fascicle originality. There always is the simple question as well: do we believe Emily Dickinson tried to tell about very exceptional Bees, Ears, or Birds, so peculiar that you write them with capital letters?
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