Why?

THE murmur of a bee
A witchcraft yieldeth me.
If any ask me why,
’T were easier to die
Than tell.

The red upon the hill
Taketh away my will;
If anybody sneer,
Take care, for God is here,
That’s all.

The breaking of the day
Addeth to my degree;
If any ask me how,
Artist, who drew me so,
Must tell!

First print Nature poem III, 3
Johnson poem 155 | Franklin poem 217

■→IN POLISH

Text compared with the fascicle and published as in the first print by Mabel Loomis Todd and Thomas Wentworth Higginson; does not require adjustment, public domain worldwide, no rights reserved.

■→Poems, first print by Higginson and Todd, page 71;

■→Notes for Emily Dickinson’s poetry;
Poems one-by-one print and fascicle comparison,
■→Resource for Emily Dickinson’s poetry;
■→Google Drive, manuscript fascicles.


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The world may never have seen her original handwriting, if her skill was taken for supernatural. Feel welcome to Poems by Emily Dickinson prepared for print by Teresa Pelka: thematic stanzas, notes on the Greek and Latin inspiration, the correlative with Webster 1828, and the Aristotelian motif, Things perpetual — these are not in time, but in eternity.
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Świat może i nigdy nie widział jej oryginalnego pisma, jeśli jej umiejętność została wzięta za nadnaturalną. Zapraszam do Wierszy Emilii Dickinson w przekładzie Teresy Pelka: zwrotka tematyczna, notki o inspiracji greką i łaciną, korelacie z Websterem 1828 oraz wątku arystotelesowskim, Rzecz perpetualna — ta nie zasadza się na czasie, ale na wieczności.
Wolny dostęp,
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