On this long storm the rainbow rose,
On this late morn the sun;
The clouds, like listless elephants,
Horizons straggled down.
The birds rose smiling in their nests,
The gales indeed were done;
Alas! how heedless were the eyes
On whom the summer shone!
The quiet nonchalance of death
No daybreak can bestir;
The slow, archangel’s syllables
Must awaken her.
First print Time and Eternity V, 5
Johnson 194 | Franklin 216
Prepositive comma for “slow syllables”, the slow, archangel’s syllables.
Poems, first print by Higginson and Todd, page 114;
Google Drive, manuscript fascicles;
Poems one-by-one print and fascicle comparison,
Resource for Emily Dickinson’s poetry.
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If her skill was taken for supernatural, the world may never have seen her original handwriting. Feel welcome to Poems by Emily Dickinson prepared for print by Teresa Pelka: thematic stanzas, notes on the Greek and Latin inspiration, the correlative with Webster 1828, and the Aristotelian motif, Things perpetual — these are not in time, but in eternity.
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The enclosed piece-by-piece analysis works a criterion to embrace the epsilon, predicate structure, vowel contour, phonemics, person reference in abstract thought, and altogether stylistic coherence. The result supports doubt on fascicle originality. There always is the simple question as well: do we believe Emily Dickinson tried to tell about very exceptional Bees, Ears, or Birds, so peculiar that you write them with capital letters?
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